The Old Guard Movie Review

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As Ryan Coogler dubbed “Black Panther” as a showrunner in his directing role, Gina Prince-Bythewood cured her Netflix superhero film, “The Old Guard” with her humorous portrait. The director of "Love and Basketball," "The Secret of the Bees," and "Before the Light" enjoyed the scenes where his characters got their feelings, and he invites you to go up there with them. These are some mysterious characters, a product made for hundreds of years, perhaps thousands of years. Several times, the camera lands on their faces as they think, or remember, the grief of losing someone. The film stays patient during these moments, setting the same level of importance for the characters and their emotions as it does in action. The situation of Andy (Charlize Theron) preserving a piece of baklava carries the same weight as the situation of his stripping the enemy with a large battle-ax.

Andy is an old member of a special group of people who seem immortal. The opening scene shows the closeness of their bulging bodies; After a while, we see them get up and fully recover after this slaughter, removing bullets from their faces as they lower their enemies. The group of four is about to be joined by a fifth member, Nile (KiKi Layne), an Afghan sailor who has been strangled to death. He is also plagued by nightmares of other members of the group, a psychic connection that, according to Bhukaer (Matthias Schoenaert), will just shut up as soon as they all meet. Until the Nile's appearance, Bokerer was the youngest member of the Guard, joining in 1812.

As “Mad Max: Fury Road” strengthens Theron’s ability to hone his Oscar-winning skills in the face of fierce battles kicking ass, the “Old Guard” takes us to a great battle, bound by a plane between the Nile and Andy. The two show the proofs of their war as Andy gives awesome examples of the healing power of the Nile. With a coil made of the Nile, a natural hairdo, and Andy’s Karen’s style, their battle plays out as an unintended comment and retaliation for those “can I talk to the boss” videos that contain social media. What feels like the purpose, however, is the existing installation of the immortal display, both in the counters and in its current timeline. They are played in a variety of races and have never felt compelled or compelled.

In addition to looking at the personalities of its heroes, the "Old Guard" and using Prince-Bythewood's paint in greatness, a touch that shouldn't work at all at the moment doesn't play well. Think of Noni on the balcony in "Beyond the Lights," or Monica who sets goals for a critical game in "Love and Basketball." Here, time takes place between Andy's students, Nicolo (Luca Marinelli), and Joe (Marwan Kenzari). By virtue of their shared immortality, these people have been together for another hundred years. They don't like what happened to "Meet the Little Ones" when they killed each other regularly during the Crusades. After they were caught by our poor guys, the dudebro of bad medicine, Merrick (Harry Melling), Joe's concern for his guilty partner was ridiculed on purpose. "Is he your boyfriend?" his captor asks. Joe's response to the declaration of love in shameless florid as from the heart puts that sweet moment of LGBTQ representation in "Avenger: Endgame" a disgrace.

Author Greg Rucka, who modeled his novel Leandro Fernandez, wrote a series of classic essays. There is a clear difference in the law of immortality, a high-ranking person, a left-handed member of the tribe (Chiwetel Ejiofor), a very sad statement of Andy's torture, crucifixion, happy weather deployment, and even a set ending up in succession. But he and Prince-Bythewood always endorsed this notion of their characters' abilities to show how close their characters are. There are many scenes where people talk to each other, either from out of the way or to promote this issue, and all the time, we come to feel that we know these people. So when the inwardly anointed part attacks, there is a genuine concern for our heroes. These scenes force us to question the threat of life imprisonment for horrific trials because you cannot darken this dying coil.

Although it contains a much larger sequence than most major movies, "The Old Guard" is not limited to old, old-fashioned violence. The battle scenes were designed to be screened so you could see who was doing what, and they were put together to kill a lot of people and then Prince-Bythewood general, Terilyn A. Shropshire. Shropshire is a favorite of directors like Kasi Lemmons and, as seen in his work on Ava DuVernay's first episode of "When They Saw Us," is great for switching between a very close drama and a wide range of performance, keeping speed in balance. The cinematography of Barry Ackroyd and Tami Reiker is also quite good; their sequence at night and the inner rooms have the same richness as their brightly lit French and desert deserts.

"The Old Guard" has the advantage of not holding tight goods, driven by Marvel and DC movie lovers. As a result, it may not receive the attention it deserves. But this is a good example of this kind of film can be, one I hope will be read by the very big tables that you know money and love. I don't remember the last time I was robbed of seeing a post-credits-based sequel — to be honest, I don't know where the hell most of them were - but this made me want Netflix to immediately switch me to the next installment when the credits rolled.

Now playing on Netflix.